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New world theme set by the Glendale Symphony

October 03, 2001

Jose Ruiz, Enjoy!

GLENDALE -- It is inevitable to remove the events of the past two

weeks from our lives. That doesn't mean that we succumb to them. Every

American has found a way to cope, to mourn, to honor and to move on, and

in a way, the "Symphony from the New World" by Antonin Dvorak exemplifies

all of the above.

Maestro Sidney Weiss, music director and conductor for the Glendale

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Symphony Orchestra, had announced this piece long ago as the season

opener at the legendary Alex Theatre. He had not counted on the meaning

it would carry at this time.

If ever a piece of music speaks of America and its hopes, it is this

magnificent work that illustrates many of the emotions that are being

felt today. If ever an orchestra captured those emotions, it was the

Glendale on opening night.

From the first movement, which suggests the theme with horns and

strings, to the building of the second theme filled with echoes of native

American spirituals, there was a feeling of excitement in the music.

The anticipation built as the woodwinds sang their melody while the

strings methodically surged onward. Then when the maestro brought his

baton down, the timpani, the horns, the strings, all exploded in a

celebration that spoke of the new world that America will build.

The rapid-fire violins personified the people moving quickly to

complete their task. The dynamic brass with their fortissimos echoed the

industrial giants that will help in the rebuilding and the warm richness

of the cellos and basses were the anchor and stability that assures

success.

The orchestra did not perform a work that was more than 100 years old.

It played a symphony of a triumphant future that lies ahead in the new

world.

The concert opened with an unscheduled Bach piece, "Air in G," and

quickly followed by the short but lively Prelude to Act 1 from "La

Traviata" by Verdi.

Mendelssohn was well served in "A Midsummer Night's Dream," which the

orchestra performed convincingly.

As has become the custom, every concert features a solo performance

and Marina Manukian, violinist extraordinaire, gave a wonderful rendition

of Saint-Saenz "Introduction" and "Rondo Capriccioso."

Her virtuosity is exceeded only by her calmness and confidence,

working through the intricacies with masterful grace and strength.

Opening night always carries a certain amount of glamour and

excitement. The Glendale Symphony Orchestra provided that and much more

as it starts a new season, in what will surely be a whole new world.

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